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Yeah, soft documents comes to be a reason why you should read this book. If you bring the printed book for some places, it will certainly make your bag to be larger. When you can stay with the soft data, it will not need to bring hefty thing. However, the in soft documents can be a choice when you go for some locations or stay at house. Please read this book. It is not just the pointer; it will be inspirations for you and also you're your life to progress much better.
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Product details
File Size: 35681 KB
Print Length: 333 pages
Publisher: IMPACT Books (June 19, 2018)
Publication Date: June 19, 2018
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B07FQ8T96T
Text-to-Speech:
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Amazon Best Sellers Rank:
#231,279 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Excellent delivery. Exactly as described.
This was not the book I was expecting. It is much better.This book represents the culmination of over 100 years of comic book writing, producing, and marking by the "Comic Experience." Andy Schmidt is the lead writing, and the whole book is lavishly illustrated with excellent examples of comic concept art, process figures, and helpful tables.The book focuses on how to write comic books that are engaging, but are scoped and scaled in such a way as to still be publishable based on your resources.The book is firmly aimed at the beginning comic book author (not necessarily a comic book artist, though some writers are also artists) who is either self-publishing or looking to make his or her first sale in the wider world of comic book publishers.The key to any great comic book is a great story that is written in a way to take advantage of the graphic medium.This is not one those books that you will want to skip around in. There are well designed, insightful exercises each chapter, and the exercises drive home the points in each chapter.If you do the exercises and work to get the most out of this very useful book , you can expect to take six months or longer before finishing up.(You could read it all cover to cover in lesst than three days, but you are not going to get the full value out of this process if you skim it.)The book is divided into three parts. The first part is basic storytelling. You begin at the beginning with a bare bones story and characters. The second part is "graduate level" character development and plot enhancement, and you should tackle it once you have developed a basic plot and characters.The final section talks about the business of writing comics. It is at the end for a reason. If you don't get the first two sections right then you are never going to need the last section.This is a very, very good book, and I recommend it to comic book writers or to anyone who is looking at enhancing the commercial appeal of your stories.
Way back in 2010 I naively thought I'd take a superhero novel I'd written and turn it into a graphic novel. Tales of the Scarlet Knight Comic Book #1 I had folded up sheets of paper to make my own comics as a kid so how hard could this be? Really hard as it turns out.This book gets into a lot of the pitfalls I ran into. If you're a writer who can draw it's a little easier because you can sketch things out but if you're like me and can't draw more than stick figures it gets harder. You have to see everything in your head and try to divide the panels and dialog balloons and sound effects accordingly. It can be really tricky, especially if you're not familiar with the artist you're working with.About the first half or so of the book is just dedicated to creating the story itself. Then there are chapters on creating the actual layouts. In that way it's probably more useful for beginners than more experienced people. ON the Comics Experience website you can look at old scripts and even get a script template that is helpful if you're trying to figure out how to write a script.There's also some advice at the end about approaching people at conventions and such. If you're a writer who can't really draw finding an artist is pretty difficult unless you know someone. So this covers pretty much all parts of the process, though maybe not extremely in-depth all the time. Still, it should be able to give you a running start.
This thorough overview of what it takes to write a script for a comic book or graphic novel is a solid read for writers who are just starting out in the medium and an excellent refresher for semi-pros and pros to sharpen what they already know.To break in as a writer and maintain a career you have to continually produce and more than anything this guide provides a structure that will keep you writing even when inspiration abandons you. The tricks, tools, and directions to avoid writing potholes for those who want to construct a comic book script are here.One thing that kills inspiration during the rush to get words on the page is grammar and order, Schmidt reminds us that it’s okay to be messy while constructing a story.He reiterates a few times not to worry about the polish. Get the story out, build the levels to it, rewrite and rewrite. A comic book script is not the final product, but it does need to communicate clearly and passionately the story the creative team is aiming to deliver.Grammar and spelling are essential, but there will be time for them in later stages. You do not have to be perfect in the first, second, third, fourth… pass as you construct your script.The centerpiece of the guide is a plan of attack on the blank page. The best way to write any story is to attack it in stages, not as a whole. Andy Schmidt presents a great approach to avoid intimidation and still capture inspiration as a writer builds a story from logline to one pager to scene breakdowns to the script.Even though there’s no set script template for comics, Schmidt provides a model and terms that are clear and instinctive and somewhat universal in the comic book publishing world. It’s nice to see them all in one place to refer to, especially for the dialogue and lettering.
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